James Oxley

James sang with the choir during its Magnificat concert in January 2003.

James Oxley, Bass

James Oxley studied at the Royal College of Music, at Oxford and privately with Rudolf Piernay. In 1994, he was awarded first prize at the renowned International Vocalisten Concours at ‘s-Hertogenbosch.

He made his London debut at St John’s, Smith Square, singing Britten’s Les Illuminations. Since then, he has appeared at all the major concert halls in London, at the Symphony Hall (Birmingham) and Philharmonic Hall (Liverpool) as well as at the Three Choirs Festival. His engagements have taken him to all the major European countries, especially to France where he has worked with Philippe Herreweghe, Hervé Niquet and Christophe Rousset. In 1996 he gave performances of Britten’s War Requiem in San Sebastian and Amiens. Further afield, he has sung in Tel Aviv in concerts of Bach, in Hong Kong and Singapore, and he sang Schumann’s Dichterliebe with the pianist David Owen Norris at the Huntington Festival in Australia. Last year he made his North American debut with Philharmonia Baroque in San Francisco.

James sings regularly for Opéra de Rennes, his recent roles including Antinoüs in Faure’s Penelope, Lensky in Eugene Onegin, Belmonte in Seraglio and Male Chorus (The Rape of Lucretia). He has sung in two Strauss operas at Garsington: Die Liebe der Danaë and Intermezzo and sang the role of Lucano in ENO’s acclaimed Coronation of Poppea.

His recent engagements include Acis & Galatea for Kent Opera, Rameau’s Pygmalion at the Cheltenham Festival, a broadcast of French baroque music from the Royal Chapel at Versailles and Verdi’s Requiem at Gloucester Cathedral. This year, he will give performances of Cosi fan Tutti for Opéra de Rennes and the Britten Seranade in Limerick, Dublin, and at the Sydney Opera House.